Home Blog Page 9

The 19th Annual Jazz in the Gardens (JITG) Music Festival

The 19th annual Jazz in the Gardens (JITG) Music Festival returned to Hard Rock Stadium in Miami Gardens, FL, on March 7–8, 2026, with performances from Jhené Aiko, Ludacris, Nelly, Ashanti, Joe, D-Nice & Friends, and More.

Thousands of people flocked to Hard Rock Stadium- home of the Miami Dolphins- for two days of thrilling performances as Jazz in the Gardens (JITG) 2026 offered yet another remarkable weekend of music, culture, and community. International Women’s Day was on the second day of the festival, and a number of artists took time to acknowledge and honor the women in the audience.

Saturday’s cloudy skies did nothing to dampen the crowd’s energy as fans filled the grounds, ready to sing along to timeless tunes. By Sunday, the Miami heat returned in full force, setting the stage for a high-energy finale.

On Saturday, March 7th, the weekend began with Damien Escobar opening with Soulful Strings. R&B singer, songwriter, and record producer Joe transformed JITG into Lovers’ Lane in a way that only he could. The party was then ushered in by D-Nice & Friends, while Pop-R&B energy and nostalgic hits were presented by Mühla. That Lover Girl Era was brought to life by Ella Mai. Jhené Aiko finished with Ethereal Elegance while GloRilla increased the intensity.

Violinist Damien Escobar set the tone for the night with a smooth, genre-blending performance that reimagined classic R&B through the power of live strings. Stepping onto the stage with his violin, he drew the audience into an emotionally layered set with interpretations of “For the Love of You,” “Caught Up in the Rapture,” “Rock Steady,” and “What You Won’t Do for Love,” creating an early moment of connection that settled naturally over the crowd and laid the foundation for an evening of star-studded performances.

Joe At 2026 JITG Music Festival [Photo by David Goodson]

Joe followed with a stage presence that changed the mood right away. Wearing an eye-catching Tiffany blue suit, he sang singles including “More & More,” “What If a Woman,” “If I Was Your Man,” and “All the Things (Your Man Won’t Do)” while leaning into his signature mature R&B catalog. The audience was completely engaged by the time he got to “All the Things,” and they were singing along to almost every line.

D-Nice Bringing the Party [Photo by David Goodson]

With visits by SWV, Donell Jones, Case, and Sunshine Anderson, D-Nice & Friends transformed the festival into an R&B celebration. As host, cultural tastemaker Kenny Burns kept the spirit high by energizing the audience and singing along throughout the set. With songs like “This Luv,” “U Know What’s Up,” and “Where I Wanna Be,” Donell Jones immediately sparked sing-alongs; Case followed with “Happily Ever After” and “Missing You”; SWV had the audience singing along to “Weak” and “Right Here,” and Sunshine Anderson maintained the momentum with “Heard It All Before,” giving the performance the feel of a live dialogue between eras that the audience was obviously familiar with.

SWV 19th Annual Jazz in the Gardens (JITG) Music Festival [photo by David Goodson]
Mount Vernon’s own Case singing “Happily Ever After,” and “Missing You,” [Photo by David Goodson]

Mýa combined flawless choreography with the natural charisma that has long characterized her performances to bring a delicate, feminine spirit to the stage. Her performance during Women’s History Month seemed like a suitable reminder of the enduring impact of women whose artistic ability transcends decades. She transitioned between singles like “Case of the Ex,” “Best of Me,” and “Girls Dem Sugar” and nostalgic moments with timeless songs like “Take Me There” and “Lady Marmalade.” Giving out CDs and roses to the audience was an extra touch that went well with the set’s retro vibe.

Mya at 2026 JITG) Music Festival [Photo by David Goodson]

Ella Mai captivated the crowd with her smooth vocals and heartfelt delivery, marking her first festival performance in three years. All smiles and carrying an easy, natural presence on stage, she moved through fan favorites like “Shot Clock,” “Boo’d Up,” “Trip,” and “Little Things,” with vocals that remained strikingly true to the recordings. Blending songs from her early breakout era with tracks from her latest project, Do You Still Love Me?, Mai’s performance felt both effortless and genuine, warmly reconnecting with the audience.

Memphis rapper GloRilla turning up the energy at Jazz in the Gardens (JITG) 2026 [Photo by David Goodson]

Memphis rapper GloRilla shifted the festival’s energy into high gear with a fiery set packed with crowd-moving anthems including “Yeah Glo!,” “F.N.F.,” “Hollon,” and “Let Her Cook.” The excitement escalated even further when Sexyy Red made a surprise appearance for “WHATCHU KNO ABOUT ME,” sending the crowd into a frenzy.

Jhene Aikeo at 2026 JITG Music Festival [Photo by David Goodson]

Closing the night, Jhené Aiko transformed the stage into an intimate, jazz-lounge-inspired sanctuary she called “JC Brown’s Jazz Lounge.” Dressed in a shimmering metallic gown, she performed alongside a live band featuring keys, bass, and harp, creating an ethereal and tranquil atmosphere with soft visuals and delicate vocals. Throughout the set, she delivered fan favorites like “While We’re Young,” “The Worst,” “Sativa,” “P*$$Y Fairy (OTW),” “Triggered (freestyle),” “None of Your Concern,” and “B.S.,” while also weaving in thoughtful musical moments—blending John Legend’s “Ordinary People” into “Triggered” and Aaliyah’s “One in a Million” into “Sativa.”

The performance reached a spiritual peak as Aiko incorporated sound bowl healing into the set and paused to give glory to God, closing day one with a calm, grounding energy that contrasted beautifully with the night’s earlier momentum.

On Sunday, March 8, Boney James and Jazz Roots made a comeback, followed by Southern Soul, Sunday Service to the Stage by Pastor Mike Jr., Timeless Vocals by Stephanie Mills, and the classics by The Isley Brothers. Ludacris concluded the Festival with a Star-Studded Celebration after back-to-back hits from Ashanti and Nelly.

With an homage to the festival’s jazz legacy, Boney James opened day two with a seamless instrumental set supported by a full ensemble. His poignant performance of “Ain’t No Sunshine” established the mood for the day. Artists and fans wearing cowboy boots, hats, and bandanas line danced and waved throughout the crowd as Tonio Armani and King George added Southern soul flavor to the event. The entire audience was dancing to hits like “Country Girl” and “Keep On Rollin,” demonstrating the genre’s expanding impact throughout the South.

As Sunday afternoon continued, Pastor Mike Jr., recently nominated for a Grammy Award, delivered a powerful performance featuring songs like “I’m Winning,” “Counting My Blessings,” and “Amazing,” his gospel rendition of the Gnarls Barkley hit “Crazy,” turning the festival grounds into a joyful celebration of faith and perseverance.

R&B, soul, and gospel singer, songwriter, and Broadway actress Stephanie Mills at JITG Music Festival [photo by David Goodson]

Legendary vocalist Stephanie Mills captivated the crowd with timeless classics, including “Never Knew Love Like This Before,” “Feel the Fire,” “Home” from The Wiz, and “What Cha Gonna Do with My Lovin.” A special moment came when her son, Jason Mills, stepped into the spotlight for a solo moment, showcasing that powerful vocals clearly run in the family.

Ron Isley, the iconic lead vocalist of The Isley Brothers delivers his silky, soulful voice, distinct falsetto, and smooth “Mr. Biggs” persona [Photo by David Goodson]

Later, the legendary Isley Brothers, led by Ron Isley, delivered one of the weekend’s most iconic moments. As archival visuals of their younger performances played across the screens behind them, the group launched into timeless hits, including “Footsteps in the Dark,” “Voyage to Atlantis,” “Contagious,” and “Hello It’s Me,” before bringing the crowd to its feet with the classic “Shout.” 

Ernie Isley, songwriter and guitarist with The Isley Brothers [Photo by David Goodson]

Ernie Isley stunned the audience with an electrifying guitar solo during “Summer Breeze”, making the performance feel like a powerful full-circle moment—watching legends who helped define generations of music still commanding the stage today.

Ashanti rocking the 2026 JITG Music Festival [Photo by David Goodson]

Ashanti reminded fans why her catalog continues to stand the test of time, delivering a hit-filled set that had the audience singing along word for word. During one poignant moment, stage visuals honored Black lives lost to violence, adding a reflective layer to the performance as fans sang along to favorites including “Foolish,” “Rain on Me,” and “Baby,” while a mashup of “Rock Wit U (Awww Baby)” and Michael Jackson’s “Rock With You” added a nostalgic nod to the King of Pop.

Nelly rocking at 2026 JITG Music Festival [Photo by David Goodson]

Soon after, Nelly took the stage with an explosive performance featuring classics like “Ride Wit Me,” “Air Force 1s,” “Hot in Herre,” “Dilemma,” and “Shake Ya Tail Feather,” which blended into a mashup with Juvenile’s “Back That Azz Up.” The energy rose even higher when Murphy Lee, a fellow member of Nelly’s St. Lunatics, joined him onstage, bringing a full St. Louis energy to Miami Gardens and keeping the crowd rapping along to every word.

Ludacris at the 2026 JITG Music Festival [Black Westchester]

Closing out Jazz in the Gardens 2026, Ludacris delivered a career-spanning performance celebrating 25 years in the game. Acknowledging International Women’s Day, he showed love to the ladies with songs like “Lovers and Friends,” “One Minute Man,” and “Fantasy,” while also running through crowd favorites including “Stand Up,” “Move B***,” “Throw Them Bows,” “Area Codes,” and “Pimpin’ All Over the World,” keeping the crowd moving from start to finish.

Chingy & Luda at 2026 JITG Music Festival [Photo by David Goodson]

Chingy, Shawnna, Bobby V, Uncle Luke, Trick Daddy, CeeLo Green, Trina, DJ Khaled, and I-20 were among the special guests whom Ludacris invited to the stage during the concert to honor his Disturbing Tha Peace family and longtime partners. Fans had the unique opportunity to see CeeLo Green, Trick Daddy, and Ludacris play the hit song “Sugar (Gimme Some)” live for the first time. He once expressed his affection for Miami, referring to it as his “second home” in reference to the Fast & Furious movies that were filmed there, before singing “Act a Fool” from the 2003 soundtrack of the franchise.

Jazz in the Gardens 2026 once again demonstrated why it is still one of the country’s most cherished music festivals with memorable performances, unexpected appearances, and moments that honored both history and new generations of musicians. The event highlighted the diversity of Black music and culture across genres and generations, from soulful nostalgia to contemporary chart-toppers.

Fans exited Miami Gardens as the lights went down on yet another memorable weekend, eager to see what magic Jazz in the Gardens 2027 will bring.

Why Black Women Aren’t Sleeping, Her Body Never Got the All-Clear Signal: The Science of Hypervigilance, Stress & Reclaiming Rest

It is 6:47 in the evening when Melissa walks through her front door. She is 52 years old, an administrative coordinator at a nonprofit in Westchester, and she has been in back-to-back meetings since 8 a.m. The first thing she notices is a backpack dropped in the middle of the hallway, and past it, the kitchen sink holds dishes that someone, at some point, had fully intended to wash. The refrigerator offers defrosted chicken that needs forty-five minutes, a half-empty container of last Tuesday’s rice, two eggs, and she sets her laptop bag on the counter with the report still due by nine.

Upstairs, her mother-in-law is awake; Melissa can hear the television through the ceiling, which usually means restlessness, or something more. Marcus is running late again. One teenager just texted asking what’s for dinner. The other has gone quiet, which in a house with teenagers requires its own kind of monitoring.

What Melissa is, most nights, is Tuesday. 

And what Tuesday costs her is something the household budget does not account for, because the second shift, the caregiving and the monitoring and the emotional management that begins the moment she walks in that door, does not appear anywhere on a pay stub or a performance review. It is just expected. 

Whether or not there is a partner in the household, whether she works a nine-to-five or a rotating shift or two gig jobs stitched together, that expectation follows Black women home with a consistency that has nothing to do with individual circumstance and everything to do with who has always been asked to hold things together.

“Her nervous system is not malfunctioning. It is doing what years of legitimate demand trained it to do.”

THE CRISIS INSIDE THE QUIET

When Black women in Westchester come to me and describe their nights, they rarely start with sleep itself. They start with the inventory taken at 11 p.m., the awareness even in the dark of what is still undone, the sleep that eventually arrives but never quite settles, shallow and interruptible and somehow more tiring than the day that preceded it. 

On average, Black women get roughly forty-five minutes to an hour less sleep per night than their white counterparts, and the gap in sleep quality is wider still. Dr. Chandra Jackson at the National Institutes of Health has spent years documenting this pattern, and her data show that the difference is not explained by individual habits but by what the body is asked to carry before it ever gets to bed.

There is a point I write about in my clinical work where the gap between what a life demands and what the body can restore becomes too wide to close on its own. I call it the recovery threshold. Most of the women I see in my practice crossed it quietly, long before anything obvious broke down. Melissa crossed it somewhere between the second caregiver who left without notice and the third year of hybrid work schedules that never fully stabilized. She did not notice because she kept functioning. Functioning and restoring are not the same thing, and the body keeps that distinction even when we stop paying attention to it.

Sleep medicine research has documented what clinicians working in this community have long observed: heightened vigilance is directly associated with shorter sleep duration and reduced sleep efficiency in Black adults, and the burden concentrates most heavily in Black women. Hypervigilance is a learned, adaptive response, the body doing its job under conditions that never fully resolved, calibrated over years of legitimate demand to remain available.

The problem is that a nervous system calibrated for readiness and a nervous system capable of restoration are, biologically, competing states. They do not easily coexist in the same body on the same night.

THE BIOLOGY OF NEVER STANDING DOWN

Sleep is one of the body’s most anabolic periods of repair, which is the part most people miss when they think of it as simply stopping. What controls whether sleep restores you, or just passes time, is the state of the nervous system receiving it. Much of what we understand about sleep biology was built on studies of white men, with findings applied wholesale to everyone else. Black women were largely absent from the foundational research, which helps explain why the recommendations that flow from it so often miss the mark for them.

During deep slow-wave sleep, when that shift into repair mode completes, the brain flushes inflammatory waste through the glymphatic system and cortisol drops to its daily floor, allowing the immune system and memory consolidation to do work that cannot be replicated during waking hours or recovered later. I have had patients describe this to me as sleeping but never landing — the hours are there, the body went through the motions, but the restoration did not happen. 

In Black women carrying Melissa’s particular load, the job, the household, the elder upstairs, the teenagers who need things at unpredictable hours, the autonomic nervous system frequently cannot complete that shift from threat-detection to restoration. The amygdala stays partially online. Cortisol, which should reach its nadir somewhere between midnight and approximately 2 a.m., remains elevated instead, sleep onset delays, and the body logs hours in bed that it cannot metabolically use.

Some of what Melissa’s body is carrying did not begin with Melissa. 

Research on weathering, the accelerated biological aging that results from chronic exposure to racial stress, is well-documented in the literature. Emerging work raises the possibility that some of what Black women carry physiologically has intergenerational roots, though the fuller picture likely includes what gets passed down through family stories, community memory, and the particular way danger teaches the body to stay ready long after the immediate threat has passed. The women who raised them, and who raised many of us in this community, navigated a world that was, in many documented and undocumented ways, dangerous after dark. Sundown towns and night raids were real. The body’s instruction to stay alert was a rational one then, and it does not easily unlearn what it absorbed across generations of necessity. Melissa’s sleeplessness is hers, and it is also inherited. Neither cancels the other out.

Westchester sharpens this in its own particular way. Proximity to wealth does not produce access to rest, and the daily calculus of being a Black woman in a county where race and economic pressure intersect in ways rarely acknowledged but always felt adds a cognitive load that generic sleep advice was never designed to address. The burden lands harder on women without the margin to absorb one more disruption, those working without schedule flexibility, without a backup caregiver, without the financial cushion that makes any of the recommended adjustments feel remotely possible. I have observed this pattern across a wide range of circumstances, and biology does not adjust for income.

“The body eventually stops pretending none of this has accumulated.”

WHAT SHE WAS NEVER TOLD

Melissa has tried the sleep hygiene recommendations. Phone down by nine, no caffeine past noon, a white noise machine she found on sale. It helped, she told me, little by little, and that phrase has stayed with me because it is exactly right. Behavioral adjustments address the surface layer. They cannot reach a nervous system that has been shaped over decades by legitimate demands to remain available, and the cortisol load those demands produce has nowhere to go when the lights go out.

Research published in Sleep Medicine has found that generic sleep interventions show reduced efficacy in Black women because they were designed without accounting for racism-related stress, multi-role caregiving burden, or the physiological consequences of what researchers call the Superwoman Schema. 

The Superwoman Schema is a survival strategy, shaped by generations of structural demand, that helped Black women endure conditions that should never have been normalized in the first place. It was built and reinforced by economic and social systems that depended on Black women’s labor remaining available, uncomplaining, and cheap, and it was transmitted so thoroughly, through what was modeled and what was rewarded and what was never questioned, that it stopped feeling like a belief and started feeling like a fact. 

A framework that codes rest as indulgence and endurance as the price of belonging is a design feature of a system that was never built with Black women’s well-being in mind.

Black women experience cardiovascular disease, hypertension, metabolic syndrome, and depression at rates disproportionately higher than their White counterparts, and chronic sleep deprivation is both a driving mechanism and an amplifying consequence in that pattern, a loop the body struggles to exit without intervention. Short sleep duration, consistently under six hours, is independently associated with elevated hypertension risk and increased cardiovascular mortality in Black women, even after controlling for other factors. The consistency of that pattern across generations is its own kind of evidence.”

MELISSA AT MIDNIGHT

By 11:48, Melissa has finished the report and found something workable for dinner. The chicken went into the pan around 10, and by the time it was done, the smell had filled the kitchen in a way that made the house feel, briefly, like a place where someone was being taken care of. Her shoulders dropped half an inch. Then one of her teenagers came downstairs for a plate, and she was back in it, checking on her mother-in-law, making sure everyone had what they needed, loading the dishwasher while Marcus, who came home late and ate quietly, had already fallen asleep.

That moment deserves more than a passing read: the person whose sleep this article is about was the last one in the household to get to rest, and the first one who will be up tomorrow. In most of the households I work with, that is not a coincidence, and it is not a personal failing on anyone’s part. It is the result of how households in this culture were designed and how boys were raised inside them. The pattern becomes invisible precisely because it was built to look like the natural order of things.

She lies in the dark, and her mind moves through tomorrow’s calendar without asking permission, cycling through a comment a colleague made that afternoon, one she has not had time to sit with, the question of whether the caregiver can stay an extra hour on Thursday, the chicken still in the refrigerator that she will either deal with tomorrow or quietly throw away. At some point the body concedes.

Five hours and forty minutes is what the night gives her. She wakes at 5:19 and lies in the gray before sunrise with the particular exhaustion of someone who by the numbers got enough. After years of sitting with women who describe this same ceiling and this same morning, I have come to understand that this is what a nervous system looks like when it has never received structural permission to stand down. That permission has to come from somewhere larger, a shift in the household, in the culture, in what we are collectively willing to name.

WHAT HEALING LOOKS LIKE

Healing here has to be personal and structural at the same time, because neither one works without the other. The interventions that have shifted outcomes for Black women go deeper than routine adjustments because sleep does not sit in isolation. It sits on a foundation built from four things at once. Biology, meaning hormones, pain, and what the body is carrying. Psychology, meaning beliefs, trauma, and the stories a woman has been telling herself about what she is allowed to need, which in my clinical experience is often the deepest layer, the one that outlasts every behavioral change because it was installed earliest. Social structure, which in Melissa’s case means caregiving load, the household calendar, and the specific question of whether anyone is genuinely sharing the weight, and in most households I work with, that is not a logistical question, it is a gender question. And meaning, the stories a woman tells about who she is, what her life is for, and whether her own restoration counts as something worth protecting. When any one of those tilts too far, no sleep intervention reaches the part that needs repair.

Shared caregiving responsibility, genuinely negotiated and not just nominally agreed to, reduces the cognitive load that keeps the nervous system scanning after lights out. That negotiation matters. And let me say plainly what usually gets left out: Melissa should not have to argue for her own rest in her own home. The fact that she does, and that most women in her position do, is not a communication problem. The structure of the household is the problem, and it belongs in any honest conversation about why Black women are not sleeping.

Therapy that addresses the internalized belief that rest must be earned before it can be taken has documented effects on sleep quality. And spiritual practice and faith community get too little credit in this conversation. For many Black women in Westchester, the church, the prayer circle, the women’s ministry, these are the places where the weight gets set down, where the version of you that has nothing to prove is the one that gets seen. Long before the research caught up, the community already understood that belonging and shared ritual did something to the body that no clinical protocol could replicate. Research now supports what was never in doubt: spiritual grounding lowers cortisol, reduces hypervigilance, and improves sleep in ways that no app has matched, and for Black women in particular, the relational dimension of that grounding carries its own distinct protective effect.

In my practice, I ask Black women to do something that sounds simple but rarely feels that way: name what the body is doing before naming what it is failing to do. A nervous system that cannot settle at night is experienced, trained by years of paying attention on behalf of people who needed it to. Permitting it to rest is one of the most clinically significant decisions a Black woman can make for her long-term health.

And if the fatigue persists despite all of it, please talk to your physician and ask specifically about sleep. Push for a referral. Ask for a study. I say this knowing that the instruction ‘talk to your doctor’ lands differently for Black women who have documented, well-founded reasons to expect dismissal in that room. Research consistently shows that Black women’s pain is undertreated and their symptoms are more often minimized in clinical encounters than those of their White counterparts. That is a systemic failure, and it deserves to be said plainly. Go anyway, and go prepared to advocate for yourself specifically and clearly, because sometimes there is a medical issue underneath that requires real treatment, and you deserve to have it found.

Individual practice matters, and it will only take Melissa so far. I have sat with women who restructured their evenings, negotiated the household, did everything right, and still could not protect a sleep window because their employer’s scheduling system updated at 10 p.m. the night before. Predictable scheduling is not a luxury. For many of the women I see, it is a precondition for any of the rest of this to work, and it is the kind of change that belongs to employers and policymakers, not to Melissa. The rest of the work belongs to the household, to health systems, to county and state policy, and to a culture that has for too long treated Black women’s exhaustion as a resource rather than a crisis. Rest, in that context, is more than a lifestyle choice. It is a demand.

“Rest is the condition that makes the rest of it possible. That is where we have to start.”

“Her nervous system is not malfunctioning. It is doing what years of legitimate demand trained it to do.”

A FINAL WORD

Melissa deserves better than Tuesday, and so does the woman reading this on her lunch break, eating at her desk, already running the mental inventory of what comes after. 

Every Black woman in this county who has been carrying the household and the job and the elder and the children while her own health quietly erodes deserves a different conversation than the one she has been having with herself at midnight.

Sleep is when the brain consolidates memory, when the heart gets its genuine recovery window, when the immune system does the work it cannot do while the body is upright and managing. Every night that allows for real, unguarded rest is a night that makes the next day survivable in a different way than willpower does. The body has been keeping that count regardless of whether anyone was paying attention.

Choosing rest in a culture that has long profited from Black women’s exhaustion is an act of resistance as much as it is a health decision and let me be plain about how hard that is. What I have seen clinically, and what the research supports, is this: recovery is an active skill. It is something you practice, protect, and build deliberately into the life you live. 

Audre Lorde wrote in A Burst of Light that self-care is “an act of political warfare.” 

For Black women in Westchester, I would add that it is also an act of survival, and the two have never been that far apart. It starts with deciding that your body’s need for restoration is as real and as legitimate as everything else on the list, and that it does not have to be earned first. 

But one woman resting well on one night is not the end of the story. 

The structures that made rest so difficult to reach have to change, too, and that work belongs to employers, to health systems, to the households we build, and to anyone who has ever needed Melissa to keep going.



About The Author: Derek H. Suite, M.D., M.S. is a leading sports psychiatrist, board-certified through the American Board of Psychiatry and Neurology, and an Assistant Professor at Columbia University. He is the founder and executive chairman of Full Circle Confidential which provides expert consultation to multiple iconic sports franchises. He is the host of the motivational Suite Spot Podcast.

MaryAnn Carr – the first African American Town Supervisor in Westchester County

In a brief masked and socially distant ceremony, with immediate family only, MaryAnn Carr was sworn in as Town of Bedford Supervisor on Wednesday, January 6, 2021, after Chris Burdick’s election to the New York State Assembly created a vacancy in the seat of the Bedford Supervisor. At their organizational meeting, the Bedford Town Board appointed Town Councilperson and Deputy Supervisor MaryAnn Carr to the position of Supervisor to fill out the term. She became the first and only African American to serve as Supervisor in Westchester County, and only the second Black Female to run a municipality in the history of Westchester.

MaryAnn also made history as the first African American to serve in elected office in local government in Bedford when she was elected in a special election on March 15, 2016, for an unexpired seat on the Town Board, and elected to a full 4-year term beginning in 2018. Before her historic appointment, Ms. Carr had a long tenure of working on the Bedford Democratic Committee. She continues her long history of working hard to support the many community organizations in the Town of Bedford.

MaryAnn chaired the Bedford Democratic Committee for six years. She has been an effective advocate for affordable housing, women’s rights, and criminal justice reform while supporting local businesses and the arts. She established a Greater Bedford Chapter of the Westchester Black Women’s Political Caucus (WBWPC) for the northern part of the county.

Maryanne Carr & AJ Woodson at Black History month Author talk at Katonah Village Library, February 2023 [Black Westchester]

Some of MaryAnn’s notable achievements include leading the charge to elect the first Latino to the Bedford Town Board and the first woman of color to the Bedford Central School Board. During her tenure on the Town Board, twelve new affordable homes were built, and sewers were installed in the business districts of the two hamlets of Bedford (Bedford Hills and Katonah), one of the largest projects ever undertaken by the Town. She has been an avid supporter of criminal justice reform, and founded the Town of Bedford Prison Advisory Committee, the only such committee known that advises local and state governments on prison-related matters. She made it a priority to recruit and appoint diverse members to serve on local committees, boards, and commissions where there had been a lack of diversity.  

She has also been active in Bedford community organizations for many years, Town Board Liaison to Recreation and Parks, Planning Department, Town Court, Bedford Central School District (BCSD), Chair, Community Organizations Committee, Active parent volunteer in Bedford Central School District (BCSD), Committee Member of Bedford 202 Food Forum, Board Member of the Rehabilitation Through the Arts, member of the Bedford Antioch Church engaged in outreach programs for the Community Center in Katonah, and volunteering in a leadership role in the Gala Annual Event for the Martin Luther King Scholarship for Youth.

As the proud parent of a now 24-year-old daughter, MaryAnn prioritizes children’s literacy and defends local libraries to elevate their educational and social impact. An active member of Antioch Baptist Church, she also volunteers regularly in several community programs. MaryAnn earned a Bachelor of Science degree in Computer Science from the HBCU Jackson State University.  

On Thursday, September 17, 2021, she was elected as the First Vice Chair of the Westchester Democratic County Committee (WCDC). MaryAnn is a resident of Bedford, NY, and has been an information technology consultant to Fortune 500 companies. Black Westchester proudly celebrates MaryAnn Carr, a Black Westchester Woman of Distinction.

Black Westchester celebrates MaryAnn Carr, a true Black Westchester Legend!

Excerpt from the book, “Black Westchester Celebrates Black Women Of Westchester,” available on Amazon or email BlackWestchesterMag@gmail.com to purchase your autographed copies.

Mamdani’s Estate Tax Proposal Could Destroy Black Middle-Class Wealth in New York

And Why Too Many Black Leaders Refuse to Talk About It

In politics, policies are often judged by their intentions. In economics, they are judged by their outcomes.

That distinction matters when examining the estate tax proposal being pushed by Zohran Mamdani, which would dramatically lower the estate-tax exemption in New York from roughly $7 million to about $750,000 while raising the top rate as high as 50 percent.

Supporters frame the proposal as a tax on the wealthy.

But when viewed through the lens of economic reality,  the estate tax proposal could severely harm  Black middle-class wealth, especially those relying on family homes as their primary asset, highlighting the urgent need for opposition.

Because for many Black families, wealth is not held in hedge funds or stock portfolios.

It is held in one asset: the family home.

The Fragile Foundation of Black Wealth

Decades of research from institutions like the Federal Reserve and the Urban Institute have consistently shown that Black households possess far less financial wealth than white households. Black families are less likely to own large stock portfolios, businesses, or investment accounts.

Instead, their wealth is overwhelmingly concentrated in housing.

For many Black middle-class families, the home represents the primary asset accumulated over a lifetime of work.

A house purchased in the 1990s for $150,000 may now be worth $700,000 or more simply because of New York’s inflated housing market.

Under a $750,000 estate-tax threshold, that modest family home could suddenly become a taxable estate.

Not because the family is wealthy.

But because the housing market has increased the value of the property.

Black Homeownership Pockets in New York

Across the Hudson Valley and Westchester County, there are long-standing pockets of Black homeownership where families finally gained stability after generations of housing discrimination.

Communities such as Mount Vernon, Yonkers, White Plains, Ossining, and Peekskill represent some of the strongest centers of Black middle-class homeownership in the region.

These communities are the result of decades of struggle against redlining, discriminatory lending, and limited access to capital.

Homeownership became the path toward stability and generational wealth.

But under a drastically reduced estate-tax threshold, many of those homes could fall into taxable territory when passed down to children, raising urgent concerns about community stability.

The Forced Sale Problem

Estate taxes are not theoretical. They are paid in cash.

When heirs inherit property but do not have the liquid funds required to pay the tax liability, they often face only one option: sell the property.

This is how generational wealth disappears.

Across cities like Chicago, Detroit, and Philadelphia, economists have documented how probate costs, taxes, and legal fees have forced families to sell homes that had been owned for generations.

For Black communities already struggling to close the wealth gap, this dynamic is particularly destructive.

The home is often the first—and sometimes the only—piece of generational wealth.

Remove that, and the ladder collapses.

The Pattern of Anti-Homeowner Policy in New York

The estate tax proposal does not exist in isolation.

New York has spent decades implementing policies that steadily weaken homeowners while expanding government dependence.

High property taxes, restrictive zoning laws, rising regulatory costs, and increasing government fees have made homeownership more expensive every year.

For middle-class  Black families, these policies -like the estate tax proposal-slowly erode the very asset that  provides financial stability and generational wealth.

And yet, these policies are rarely challenged by the very leaders who claim to represent Black communities.

The Silence of Black Leadership

Perhaps the most troubling aspect of this debate is the silence.

Too many Black political leaders, activists, and even pastors refuse to confront policies that harm Black homeowners openly.

Instead, conversations about economic policy are often reduced to emotional political loyalty rather than economic outcomes.

Economist Thomas Sowell once warned that the most dangerous policies are those judged solely by their intentions.

Politicians promise fairness. Activists promise justice. But if the outcome is the destruction of Black middle-class wealth, those promises become meaningless.

Yet many Black institutions—political organizations, advocacy groups, and even churches—remain silent when policies threaten homeownership.

The same leaders who mobilize voters every election cycle rarely mobilize their communities around protecting property ownership.

The Question We Must Ask

For decades, Black leaders have encouraged families to pursue one strategy that has proven to work: buy property, hold it, and pass it down.

Homeownership became the foundation of community stability and generational wealth.

But policies like this threaten to reverse that progress.

Work your entire life to buy a home.

Pay property taxes for decades.

And when you die, the government may force your children to sell it.

That is not wealth building.

That is wealth extraction.

The Bottom Line

If New York truly wants to close the racial wealth gap, policymakers should focus on expanding Black homeownership, protecting inherited property, and helping families transfer wealth across generations.

Lowering the estate-tax threshold to levels that capture middle-class housing will do the opposite.

It risks undermining the fragile gains Black homeowners have made in communities like Mount Vernon, Yonkers, White Plains, Ossining, and Peekskill.

And until Black political leadership and clergy are willing to confront policies that threaten generational wealth openly, the cycle will continue.

Because the greatest threat to Black wealth in New York may not be discrimination alone.

It may also be silence.

Women’s Month Spotlight: Celebrating Cynthia Hood – 1st African American Female Detective In White Plains PD

On this day in Black History, on March 14, 2005, Detective Cynthia J Hood was promoted to the Rank of Sergeant, making her the first and only female of African American descent ever in the history of the City of White Plains Police Department to hold this position.

Cynthia J. Hood shattered the glass ceiling several times, the first time in 2003 when she was appointed the first African American Female Detective, then again in 2005 when she was promoted to the first African American female Sergeant and as the first African American Detective Sergeant in the history of the White Plains Police Department.  

Cynthia J. Hood started her career in law enforcement on November 17, 1986, when she first joined the City of White Plains Police Department and was sworn in as a Police Officer. 

She held various positions throughout her career, working in the Patrol Division, Traffic Division, Undercover Narcotics Unit, Minority Recruiting, and Administration. She was chosen to be a member of the department’s first Bike Patrol Unit, where she completed extensive training with the New York City Police Department. This was the beginning of her historical career with the White Plains Police Department, as she is proud to have been the FIRST female assigned to this unit. She has had an abundance of training and was certified by the New York City Police Department’s Detective Bureau as a Sex Crimes and Child Abuse Investigator. She also showed her expertise on the shooting range, receiving a marksmanship award for exceptional firearms skills. 

Otis Cruz, NR Police Commissioner Neil Reynolds, WRGA President Paul Hood, Cynthia Hood, Steve Sexton, David A. Gibson, Howard Tribble, Daymon S Yizar, and I had the opportunity to engage with our friend and new WCCOPA President Erik Grutzner at the Westchester County Chiefs of Police Association Annual Installation & Dinner Gala, April 26, 2024

On December 8, 2003, she was appointed to Detective 3rd grade, becoming the Department’s FIRST African American female promoted to this position. After a short assignment as a Patrol Supervisor, she was transferred to the Detective Division, where she was assigned to the Victim’s Services unit.

On March 13, 2005, she was promoted to the Rank of Sergeant. This promotion, as well as her Detective appointment, was historically significant because she is the first and only female of African American descent ever in the history of the City of White Plains Police Department to have held both of these positions. It would be 17 years later before another African American female would be promoted to Sergeant.

As a Detective Sergeant, she was assigned to the Community Advocacy and Strategic Initiatives Division (CASI), where she supervised the Victim Services Unit, working with crime victims and victims of Domestic Violence. One of the highlights of her career and supervising this unit was collaborating with a team of 9 agencies, allowing her to develop and implement the White Plains Police Department’s Reentry Program, assisting male inmates transitioning back into the White Plains community after incarceration, resulting in lower rates of recidivism, and providing the necessary resources for them to be productive members of their community.

On November 17, 2006, Detective Sergeant Hood retired after twenty years of dedicated service to the city of White Plains. Retired Det/Sgt. Cynthia Hood has been a member of the Westchester Rockland Guardians Association and currently holds the position of Treasurer.

Black Westchester celebrates Cynthia J. Hood for shattering glass ceilings and paving the way for other African American Women in Law Enforcement!

Excerpt from the book, “Black Westchester Celebrates Black Women Of Westchester,” available on Amazon or email BlackWestchesterMag@gmail.com to purchase your autographed copies.

Money vs. Power: The Lesson Media Companies Should Learn From The Breakfast Club’s Netflix Deal

A line from the political drama House of Cards captures a truth that applies far beyond politics. The character Frank Underwood once said:

“Money is the McMansion in Sarasota that starts falling apart after 10 years. Power is the old stone building that has stood for centuries.”

That quote perfectly explains the debate surrounding the recent distribution changes involving The Breakfast Club, including its move into a deal with Netflix through its parent distribution network.

At first glance, deals like this appear attractive. Large platforms offer guaranteed revenue, global distribution, and the prestige of being connected to one of the world’s largest streaming services. For any show, especially one that has been on the air for years, securing a large contract can look like the logical next step.

But media history shows that the biggest check is not always the best long-term strategy.

The real issue is not just money but the lasting power of influence, which media professionals should value most.

For modern media brands, power comes from reach.

Shows like The Breakfast Club did not become influential because they were locked behind a paywall. They became influential because their interviews, debates, and viral moments circulated freely on platforms like YouTube and across social media. A five-minute clip could travel across the internet in hours, generating millions of views and shaping national conversations.

That open distribution created cultural influence.

For media outlets and content creators, accessibility is key to building trust and influence. When content is easy to watch,  share, and discover, it strengthens their role in public discourse.

This does not mean deals with large streaming platforms are automatically bad. They can provide stability, guaranteed income, and protection against the unpredictability of advertising revenue.

But they also come with a tradeoff.

Money today can cost influence tomorrow.

This is an important lesson for independent media outlets, particularly community-based platforms like Black Westchester Magazine and others that are still building their audience and expanding their reach.

For growing media companies, visibility is the most valuable currency they have. Every view, every share, and every viral moment helps expand the brand’s influence. Open platforms allow content to circulate freely and build trust with audiences who may never have heard of the outlet before.

Locking that content behind a subscription wall may produce a short-term financial boost, but it can also slow the very growth that independent media relies on.

In other words, short-term money can weaken long-term power.

This is why many of the most influential media personalities today remain heavily present on open platforms. They understand that cultural influence grows through constant exposure, not limited access.

Distribution is the new power in media.

Who controls the audience ultimately controls the conversation.

The lesson is simple but important. Media companies should think carefully before trading to reach for revenue. A large contract may look impressive today, but influence is what sustains a brand for decades.

As that famous line from House of Cards reminds us, money can fade. But real power—the kind built through reach, audience trust, and cultural relevance—can last much longer.

The Death of Black Owned Media: The Last Piece of Black Ownership at BET Is Gone

The recent buyout of Tyler Perry‘s ownership stake in BET+ by Paramount Skydance (formerly Paramount Global) is more than a routine corporate move—it’s the end of the last direct link to Black ownership within the BET ecosystem.

Paramount has acquired Perry’s minority stake (reportedly around 25% from his 2019 deal), paving the way for BET+to shut down as a standalone service. Starting in June 2026, its content library (over 1,000 hours) will be folded into Paramount+, unifying the platforms under one roof.

To many, this might seem like standard media consolidation—big companies restructure assets constantly. But the symbolism here is hard to overlook.

Tyler Perry’s investment represented the final piece of Black capital tied directly to the BET brand. While BET itself has long been part of a larger corporate structure, Perry’s equity in the streaming arm meant a prominent Black creator still held a stake in content distribution for Black audiences.

That connection is now gone.

The entire BET ecosystem—BET, BET Her, BET+ content—sits fully within Paramount‘s vast portfolio.

Why Ownership Matters (Beyond Representation)

Black culture remains one of the most influential forces in global entertainment. Black actors, writers, directors, musicians, and producers shape trends and drive audiences every day.

But influence ≠ ownership.

  • Ownership decides who controls the platform.
  • Ownership captures the long-term economic value from media.
  • Ownership ultimately determines what stories get told, how they’re told, and how they reach viewers.

This doesn’t mean Black creators or content will vanish—Black stories will keep appearing on streaming and TV. The deeper question is:

  • What kind of Black content will be prioritized?
  • Who decides which narratives about our history, communities, and experiences get amplified?
  • What messages will future generations absorb through the media they consume?

Major studios know the economic power of Black culture. Yet when platform ownership lies entirely outside the community, the power to define the message shifts away from the culture that created it.

For decades, BET symbolized more than entertainment—it represented the potential for Black entrepreneurs to build and control national media platforms. Even after BET’s corporate sale years ago, Perry’s BET+ stake kept a thread of Black ownership alive in distribution.

That thread has now been cut.

Paramount’s Massive Portfolio

To put this in context, Paramount owns one of the world’s largest entertainment empires:

Broadcast Networks

  • CBS
  • CBS News
  • CBS Sports
  • CBS Television Stations

Streaming Platforms

  • Paramount+
  • Pluto TV
  • CBS News 24/7
  • CBS Sports HQ

Cable Networks (via Paramount Media Networks)

  • BET
  • BET Her
  • MTV
  • VH1
  • Nickelodeon
  • Nick Jr.
  • Comedy Central
  • Paramount Network
  • TV Land
  • Logo
  • CMT
  • Pop TV
  • Smithsonian Channel
  • Showtime
  • The Movie Channel
  • Flix

Film & Studios

  • Paramount Pictures
  • Paramount Animation
  • Paramount Players
  • Paramount Television Studios
  • Nickelodeon Movies
  • Republic Pictures
  • 49% stake in Miramax

Production & Distribution

  • CBS Studios
  • Showtime/MTV Entertainment Studios
  • Nickelodeon Animation Studio
  • Paramount Global Content Distribution

International Networks — Versions of many channels operate across Europe, Africa, Latin America, Asia, and beyond.

This buyout isn’t just the end of a partnership—it’s a stark reminder of today’s media landscape: Black culture is highly visible and profitable, but Black ownership of major national platforms is increasingly rare.

The BET brand will live on. Programming will continue. Audiences will stay engaged.

But with this transaction, the last remnant of Black ownership tied to the BET ecosystem has vanished.

That leaves a critical question for the future of Black media: If Black institutions no longer own the platforms distributing Black culture, what will it take to build new ones?

Security Questions Emerge After Police Kill Man Linked to Rep. Jasmine Crockett

A deadly police shooting in Dallas has raised new questions after authorities confirmed the man killed had previously worked security at events connected to U.S. Representative Jasmine Crockett.

The man, identified in reports as Mike King, was shot and killed by Dallas Police Department officers following a tense standoff earlier this week.

While police say the shooting occurred after the suspect pointed a gun at officers, the revelation that he had previously worked security connected to a member of Congress has triggered scrutiny over vetting and security practices.

What Happened

According to police, officers were attempting to arrest King on a warrant related to impersonating a law enforcement officer.

Authorities tracked him to a parking garage near Children’s Health Hospital in Dallas, where he barricaded himself inside a vehicle. A SWAT response team was called to the scene.

After negotiations failed, officers deployed tear gas to force him out of the vehicle. Police say that when King exited the car, he emerged holding a firearm and pointed it toward officers.

Officers opened fire.
King was pronounced dead at the scene.

No officers were injured during the incident.

A Security Contractor With Political Connections

Investigators later confirmed that King had previously provided security services at events involving Rep. Jasmine Crockett, a first-term Democratic congresswoman representing parts of Dallas and surrounding areas.

Reports indicate King operated a company that connected off-duty police officers with private security jobs, including political events.

Campaign finance records and public documentation reportedly show payments for security services linked to Crockett’s events within the past year.

There is currently no indication that Crockett or her office were aware of any criminal investigation involving King prior to the incident.

Her office has not issued a formal statement about the situation as of this writing.

Allegations of Police Impersonation

The warrant that led police to King was connected to allegations that he had been impersonating a law enforcement officer.

Investigators say he was suspected of using:

  • replica undercover police-style vehicle
  • Stolen or altered license plates
  • Multiple aliases

Authorities are still investigating the full scope of those allegations.

Questions About Security Vetting

The incident has raised broader questions about how private security contractors are vetted for political events, particularly for elected officials who frequently rely on private firms rather than government protective services.

Members of Congress typically do not receive full-time federal protection unless they hold leadership roles or face specific threats. As a result, many campaigns and offices hire private security contractors for events.

The Dallas shooting has now sparked debate over whether additional background checks or licensing requirementsshould be implemented for individuals providing security for elected officials.

The Larger Debate

For critics, the situation highlights what they see as a growing problem with the loosely regulated private security industry.

Others argue the focus should remain on the circumstances of the police encounter itself, noting that officers say the shooting occurred only after the suspect pointed a weapon at law enforcement during an active standoff.

The investigation into the incident is ongoing.

What is clear is that the case now sits at the intersection of law enforcement, political security, and public accountability—a combination that almost guarantees continued scrutiny in the days ahead.

Badge & Barrier Breakers: The Black Women Who Paved the Way in Westchester Law Enforcement.

Black women have played a vital role in shaping law enforcement across Westchester County, often breaking barriers in institutions that historically excluded both women and African Americans. Their leadership, courage, and commitment to public service have helped transform policing, corrections, and public safety throughout the county.

Women like Rita Gross Nelson, the first Black Policewoman In Westchester County, and Cynthia Hood, the first African American Female Detective In White Plains PD., helped break both racial and gender barriers in Westchester law enforcement. Their courage and leadership helped open doors for the many Black women serving today in police departments, corrections, and investigative roles throughout the country. In observation of Women’s History Month, Black Westchester celebrates some of these Black Women Trailblazers in Law Enforcement in Westchester County.

Delores Johnson – First Black Female New Rochelle Police Captain

On July 11, 1966 – almost a year after Yonkers’ Rita Gross Nelson became the first Black policewoman in Westchester – Delores Johnson became the first Black policewoman with the New Rochelle Police Department (NRPD). She was hired on July 11, 1966.

Johnson was promoted to Sergeant on April 25, 1974, and awarded the Police Commissioner’s Award on January 7, 1977, for general performance. She received the Special Incident Citation on November 30th, 1977, for the Neptune Moving Company Shooting, which occurred on February 14, 1977 – a large-scale incident that made national news. NRPD Officer Allen McLeod was shot and killed by the gunman that day.

She graduated from the FBI National Academy in September 1978 – an 11-week school at the FBI academy in Quantico, VA, for police executives from around the world, and was promoted to Lieutenant on June 19th, 1980. On June 19, 1986, she made history again when she was promoted to Police Captain and appointed head of the Staff Services Division, becoming the first Black Woman promoted to the rank of Captain in Westchester County.

She retired from the NRPD on May 7, 1988. A resident of New Rochelle for 25 years, she had three sons, Richard Johnson, Rufus, and Stanley Richardson, two daughters, Marlene Vasquez-Ricketts and Katetrina Hudson, and seven grandchildren. We celebrate Captain Delores Johnson, a true Black Westchester Legend!


Yvonne M. Powell – First Black Female Associate Warden, Westchester Dept. of Corrections

Yvonne M. Powell, who was president of the guardians, First Black Female Associate Warden of the Westchester Department of Corrections – Valhalla Campus, now known as the Norwood E. Jackson correctional facility, named after the facility’s first Black Commissioner on May 6, 2004. She also played a lead role in representing Westchester to the National Black Police Association.

“Yvonne Powell is 5 feet 10 and has a way of entering a room. She doesn’t walk in so much as she arrives, moving unhurriedly with her head held high,” the New York Times wrote in 1994. “Her great aunt, who raised her, taught her that walk, said Ms. Powell, the newest member of the Westchester County Women’s Hall of Fame. The walk, and the imposing carriage, came from standing with her back against a wall for 10 minutes a day to learn posture and a sense of discipline.”

Ms. Powell graduated from Mercy College in Dobbs Ferry, where she majored in criminal justice. Ms. Powell said she thought she would become a physical education teacher. After passing three Civil Service examinations, however, she took a job instead as a meter maid in White Plains. Growing bored with that, she moved to a position as a deputy sheriff at the County Jail. It was 1967, and the women’s unit, which now has 242 beds, then had 60 beds. Ms. Powell advanced through Civil Service examinations and evaluations to positions as a corrections officer, sergeant and captain before being made an assistant warden. The climb was not easy. After receiving one of the top scores in the Civil Service test for captain, she was denied the position. “I was told I wouldn’t get the promotion because there wasn’t room for another female captain,” she said. “I decided to fight it, because it was cutting women’s career ladder off.”

She filed a sex discrimination case with the State Division of Human Rights, won, and was prepared to fight for her promotion during the county’s appeal. But County Executive Andrew P. O’Rourke – a Republican – took office, and after reviewing the case, Ms. Powell said, he decided she deserved the promotion. Mr. O’Rourke, who established the county’s Hall of Fame in 1985, recently presented Ms. Powell with her award at a lunch at the Rye Town Hilton. Ms. Powell, who is black, said that while she was not impeded in her career because of her race, racial discrimination remains a fact of life for blacks working as correctional professionals in the county.

While serving as warden, Ms. Powell launched numerous programs at the County Jail that received widespread recognition. The Board of Educational Cooperative Services began certification programs in nail care, building maintenance, and childcare, enabling many women to find jobs after their release. She also started the first program to let the female inmates have their babies with them at the Westchester County Jail instead of placing them in foster care. After retiring from the Westchester County Department of Corrections, she works with troubled youths at Abbott House here, where she is known, said Sister Mary Jane Fitzgibbon, the director of community relations and the person who nominated her for the Hall of Fame, for her professionalism and “quiet energy and strength.”

Black Westchester proudly celebrates Ms. Yvonne M. Powell, a true Black Westchester legend!


MVPD’s Latheia Smith Makes History As First Woman Senior Criminal Investigator In County District Attorney’s Office

March 24, 2022, Westchester County District Attorney Miriam E. Rocah announced the promotion of Latheia Smith, the first woman and the first Black woman, to hold the position of Senior Criminal Investigator in the history of the Westchester County District Attorney’s Office. 

“Latheia Smith is an extraordinarily talented investigator who has dedicated her life to making her community safer through a career in law enforcement. She shares my vision of a criminal justice system that balances justice for victims with fairness for all involved,” DA Rocah said. “I am proud to promote Investigator Smith in recognition of her many exceptional talents, skills, and achievements. Making this Office truly representative of the diversity of the communities we serve by having women and women of color in leadership positions in law enforcement is critically important, and I remain committed to this as one of my top priorities.” 

Smith a mother of four, who became a Mount Vernon Police officer 18 years ago, will now be leading other investigations in the special prosecutions division while handling her own load of cases, making history during Women’s History Month.

“Working at the Westchester County District Attorney’s Office has provided me with the opportunity to serve the County that I live in by working cases and assisting agencies with their investigations,” Investigator Smith said. “As a law enforcement officer, my ability to help victims and their families while they are going through a criminal matter is incredibly rewarding. I’m thrilled to be promoted to Senior Criminal Investigator and am proud to not only be the first woman in that role, but also the first Black woman.” 

Investigator Smith began her career in 2003 with the Mount Vernon Police Department, where she worked on and investigated a wide range of cases in the General Investigations Division, Narcotics Division and Street Crime. Her dedication and experience handling confidential informants, securing search warrants, and successfully coordinating criminal investigations with other law enforcement agencies resulted in her being promoted to Detective.  

In 2009, Investigator Smith joined the District Attorney’s Office Criminal Investigators Squad, where she has investigated and assisted in the prosecution of homicides, sexual assaults, child abuse, elder abuse, narcotics cases, and domestic violence. Investigator Smith, who is currently assigned to the Criminal Investigators Special Prosecutions Unit, oversees investigations into matters including human trafficking, sex crimes, domestic violence, elder abuse and child abuse. 


Serapher Conn – Halevi – First Female Marshall in Westchester

Serapher Conn-Halevi is the first woman in Westchester County to serve as City Marshall. She is the founder and Chief Operating Officer (COO) of the first African American school in Westchester County, known as New Beginnings Educational Institute dba Bereshith Cultural Institute, Inc, based in Mount Vernon, New York. Serapher was the owner of Right Move, a moving company she founded in 1998. She is active and involved with the youth, seniors, landlords, and tenants in her community and political leaders in the state of New York. On Monday, September 27, 2004, she was elected by to the Mount Vernon City Democratic Committee as the first women Voted in as the Chairwoman of the Mount Vernon Democratic City Committee

Ms. Conn-Halevi has served on numerous committees and boards. She served as the past president of the Westchester Black Women’s Political Caucus (Mount Vernon Chapter). She served as second vice chair of the Mount Vernon Neighborhood Health Center and the Greenburgh Health Center Board. She served as first vice chair of the Mount Vernon City Committee, as well as a District Leader. She served as Vice President of Public Relations for the Minority Contractors Association of Westchester. She also chaired the African American Caribbean Family Day in Mount Vernon, which she hosted for fourteen years, with over five thousand in attendance. She was appointed Legislator Aide to Assemblyman James Gary Pretlow. She also served as financial secretary to the Black Democrats of Westchester County.


Below is a brief list of some of the Black Women Who Paved the Way in Westchester Law Enforcement.

1965 – Rita Gross Nelson became the first woman of color to serve as a patrol cop in Westchester County as a member of the Yonkers Police Department. Fredricka Hreyo is the second Black woman to join the Yonkers force.

January 6, 1967 – Helen Littleberry was sworn in as the first African American female White Plains Police Officer. She retired in 1987.

June 19, 1986 – Delores Johnson becomes the first Black female Captain in the New Rochelle Police Dept.

1994 – Yvonne M. Powell becomes the First Black Female Associate Warden of the Westchester County Department of Corrections.

December 8, 2003Cynthia Hood shattered the glass ceiling by becoming the first African-American Female Detective in the White Plains Police Department.

March 14, 2005 – Detective Cynthia J Hood was promoted to the Rank of Sergeant, making her the first and only female of African American descent ever in the history of the City of White Plains Police Department to hold this position. (It would be seventeen years before another African American woman would be promoted to Sergeant.)

December 13, 2011 – Jennifer Carpenter became the first Black Female Supervisor in the Mount Vernon Police Department when she was promoted to Sergeant

October 19, 2019 – Krista Mann became the first African America Female Lieutenant of the Mount Vernon Police Department when she was promoted by then-Mayor Andre Wallace.

September 2020 – Mona Berry-Cauthen made history as the first African American to be promoted as Assistant Commissioner of the Westchester County Department of Probation, a high-level executive position where she is responsible for overseeing departmental operations and staff.

March 24, 2022 – Westchester County District Attorney Miriam E. Rocah promoted Latheia Smith, the first woman and the first Black woman, to hold the position of Senior Criminal Investigator in the history of the Westchester County District Attorney’s Office. 

March 14, 2024 – Major Treneé D. Young, while serving on the New York State Police, had deep ties to the county. She was assigned to Troop K in Somers for eight years starting in 2007. She later became the first Black woman in the NY State Police to earn the permanent rank of Lieutenant in 2021, Captain in 2024, and eventually reached the rank of Major in 2025

July 2024 – Mona Berry-Cauthen made history again as the first Black female to be promoted as Deputy Commissioner of the Westchester County Department of Probation. These two promotions were a significant milestone in the history of the department, which has a legacy dating back to 1915.

January 14, 2025 – Tiesha Heath made history as not only the first Black female but also the first female Police Officer in the Village of Elmsford

In February 2026, Lieutenant Khalia Carter became the first African American woman promoted to the rank of Lieutenant in the Peekskill Police Department’s 177-year history.

March 19, 2026—Janie McKennie and Michel Yant-Terry became the first Black Female Police Captains in the Mount Vernon Police Department. Both women will serve as Commanding Officers of the Detective and Patrol Divisions, respectively, starting Friday, March 20th.

These are excerpts from the book, “Black Westchester Celebrates Black Women Of Westchester,” available on Amazon or email BlackWestchesterMag@gmail.com to purchase your autographed copies.

Also check out other Black Westchester Women’s History Month Spotlights

Women’s Month Spotlight: Shawyn Patterson-Howard – First Woman Elected Mayor In City Of Mount Vernon

Democratic nominee Shawyn Patterson-Howard (SPH) made history Tuesday, November 5, 2019, when she narrowly won the general election, becoming the First Female Mayor elected in the City of Mount Vernon. The City of Mount Vernon’s 28th Mayor.

As a fourth-generation Mount Vernonite, Patterson-Howard explained in her acceptance speech, “Mount Vernon is the community of my birth, my development, my education. It’s where I was nurtured and mentored by people of all ages and ethnicities, allowing me to become the adult and the leader that I am now.”

With her husband standing proudly behind her, Shawyn spoke of unifying the city and being an agent of change. She campaigned on a good government platform, pledging to end the dysfunction in City Hall.

As Executive Director for the Mount Vernon, New York, Family YMCA from 2004 through 2009, and the first woman and person of color appointed President and Chief Executive Officer for the Yonkers Family YMCA in New York. Mayor SPH focused on programs that highlighted “Youth Development, Healthy Living, and Social Responsibility.” From afterschool programming, youth employment and training, college preparation, access and completion, adult education, water safety programs, senior services, and residential housing to gang intervention and violence prevention, prisoner reintegration, health and wellness, community nutrition and feeding programs, boxing, AmeriCorps, service-learning and video production, Mayor Patterson-Howard and her staff looked for new and innovative ways to develop partnerships to serve the community

As the Chief Executive Officer for the Yonkers Family YMCA, she also created programs to support the region’s growing community of immigrants and to address the needs of those reintegrating into the community after extended periods of incarceration.

Patterson-Howard shattered the glass ceiling as the first African American woman to be elected mayor in the history of Westchester County. Mayor SPH’s historic victory also gave the City of Mount Vernon an all-female Board of Estimates (Mayor, Council President, and Comptroller) for the first time in the city’s history.

A proud graduate of Mount Vernon High School, she also holds degrees from Howard University School of Social Work and a Master’s in Public Administration and Urban Development from John Jay College of Criminal Justice. Mayor Patterson-Howard began her esteemed career in public service as a social worker at AIDS-Related Community Services and Director of the City of Mount Vernon Housing Opportunity for Persons with AIDS Program (HOPWA). 

Mayor Shawyn Patterson-Howard proudly continues her family’s century-long legacy of service to Mount Vernon with support from her husband of 38 years, Marvin Howard, and daughter Nia. She is the President Emeritus of the African American Mayors’ Association (AAMA), Trustee of the U.S. Conference of Mayors, Co-Chair of Mayors Against Illegal Guns (MAIG) / U. S. Climate Mayors Board, and VP of the New York State Conference of Mayors (NYCOM).

Mayor Patterson-Howard has served as a trailblazer in the not-for-profit and government sectors for 25-plus years, and she continues to blaze the trail for others to follow and shatter that proverbial glass ceiling at every level. Black Westchester celebrates Mount Vernon Mayor Shawyn Patterson-Howard!

Excerpt from the book, “Black Westchester Celebrates Black Women Of Westchester,” available on Amazon or email BlackWestchesterMag@gmail.com to purchase your autographed copies.